If you were wondering what it would take to finally shove 'Gravity' out of the number one spot at the box office, the answer is Johnny Knoxville as an elderly man with a foul mouth and penchant for sustaining groin injuries. After nearly a month at the top, Alfonso Cuaron's science fiction spectacle fell to number two, dethroned by 'Bad Grandpa.'
For the third weekend in a row, 'Gravity' dominated the box office, taking no prisoners in its quest to become one of 2013's most deserving blockbusters. However, its tremendous success has been at the expense of a handful of other films, which have been crushed in Alfonso Cuaron's titanic wake.
Despite a few new releases, this weekend was all about last week's champion. 'Gravity' held on to the number one spot with all of its might, showing that Alfonso Cuaron's space thriller may have some of the strongest legs of any major 2013 release.
When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
Three years after 'The Chronicles of Narnia: The Voyage of the Dawn Treader' seemingly killed off the franchise, it looks like we'll be heading back to Narnia for a fourth time. For better or for worse, 'The Chronicles of Narnia: The Silver Chair' has been announced and is entering development as we speak.
'The Wolverine' was one of the most pleasant surprises of the summer, a shockingly low key and self-contained superhero story that valued its characters above action. Well, at least until the third act, but that's a complaint for another time and place. The good news is that 'The Wolverine' DVD and Blu-ray will arrive on December 3 with an unrated version, allowing for more Wolverine-stabs-ninjas action than ever before!
There's nothing like a family-friendly animated movie to help shake off the September doldrums and 'Cloudy With a Chance of Meatballs 2' performed as expected. Although Sony's big release effortlessly took the number one spot, this weekend had a few other bright spots, namely a handful of independent films doing quite well in more limited release.
'SNL' is nothing if not timely. With the Tina Fey-hosted season premiere airing less than a day before the final episode of AMC's 'Breaking Bad,' it was only natural that they'd put together a meth-themed sketch. And since this is the world's most famous comedy and variety show, someone was able to pull the right strings and snag Jesse Pinkman himself -- Aaron Paul -- to make an appearance.
September may traditionally be a wasteland of half-baked films unfit to open in a proper month, but the lack of competition can actually be a good thing. Could 'Prisoners,' a film made specifically for an adult audience, have opened as well as it did if it was released in a busier month? Probably not.
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringing the audiences in quite like Wan.
Oh, and there were some other movies that made some money, too.
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
The summer is over and September is upon us. The result? One of the most boring weekend box office reports in months. Months! The month or so following the end of the summer movie season is traditionally one of the worst of the year, the time when Hollywood unleashes all of the films that they have little faith in, a buffer between the blockbuster months and the award season months. In other words, it's the exact kind of climate where a movie like 'One Direction: This is Us' can thrive.
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