Philip Seymour Hoffman's tragic death occurred while he was nearing the end of his work on the two-part 'The Hunger Games: Mockingjay' movies, and while he only had seven days of filming left, those days included at least one key scene. We initially thought that these final scenes would be rewritten to exclude the character of Plutarch Heavensbee, but according to the NY Post, the filmmakers are planning to recreate the late actor with special effects to keep his presence intact.
Considering how Radio Shack has been out of the limelight for the past decade or so, it's amusing to see that the company has some level of self-awareness. The new Radio Shack 2014 Super Bowl ad is chock full of self deprecating humor and, in a crazy little turn, most of it comes courtesy of '80s film and TV characters.
Unless you had a personal stake in a film being released this weekend, movies were far from the most important thing happening to you these past couple of days. You can blame the weekend's mostly anemic box office on one thing: the Super Bowl. Everyone spent their money buying snacks and preparing their parties and not going to see 'That Awkward Moment' and 'Labor Day,' both of which opened soft.
Ah, a week at the box office where the new release flies completely under the radar and everything else feels like it's just hanging out because there's nothing else to push it off the charts. Welcome to January. Welcome to the home of movies like 'I Frankenstein,' which was dead on arrival this weekend and will vanish into dollar theaters within the next week or so.
In the first truly busy weekend for new releases in 2014, Ice Cube and Kevin Hart took the competition, bent them over the knee and gave them a good spanking. Okay, you probably didn't want the image of those two spanking animated squirrels, demonic babies or Chris Pine in your head, but how else are we going to talk about the opening weekend for 'Ride Along'?
The "Golden Raspberry" Razzie awards set out to do the opposite work of the Academy Awards and "honor" the year's worst films, and every year, they have plenty of material to work with. While 2013 may have been one of the best years for movies in recent memory, it was also home to enough deplorable junk to make this a fairly interesting (if not at all surprising) year for Razzies.
Every year presents a new apocalypse for the film industry and every year sees movies and theaters evolving to match the increasingly strange age that we live in. However, Hollywood's evolution may not be happening fast enough to win back certain audiences. A new Harris Poll asked Americans about their moviegoing habits and the results are a fascinating combination of the surprising and the not-so-surprising.
New releases have a habit of floundering in January, which tends to be one of Hollywood's biggest dumping grounds. Even this year's big January horror release, which is commonly a sure thing, floundered. What does tend to do well are the prestige pictures that opened late in the previous year (often in limited release) and finally expand in the new year, riding awards momentum to solid box office.
Of course, this is just a roundabout way of saying that Peter Berg's 'Lone Survivor' emerged from limited release this week to kick everyone's ass at the box office.
Over the past few years, the 'Paranormal Activity' series has established itself as one of the most inexpensive and reliable horror franchises around. Produced for (non-literal) pennies, they've consistently opened strong at the box office, ensuring a fast and efficient turnaround. The latest film, 'Paranormal Activity: The Marked Ones,' has already accomplished that goal, but it did so without grabbing the number one spot. Sure, people may love found footage demons, but it turns out that they love animated singing princesses more.
The return of Ron Burgundy and his news team has been positioned as a big, huge deal. 'Anchorman 2: The Legend Continues' has been marketed more than any major release this month and everyone just assumed that the film would effortlessly snag massive box office numbers thanks purely to saturation (on top of the fact that the original is quite beloved). So it must sting a little for Paramount to see the film open in second place and it must sting even more once they compare the opening numbers to the opening of the first film from 2004.
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