It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
When it was revealed that director Paul Feig was going to reboot Ghostbusters with an all-female cast, the general assumption was that Ghostbusters 3 was dead and buried. Gone forever. Kaput. Never to be mentioned again. But, Dan Aykroyd never got that memo. Aykroyd, who co-wrote and starred in the original films, has spent years talking up Ghostbusters 3 and he’s not going to let silly little things like an actual, official, studio-sanctioned remake with a cast and release date get in the way.
After years of false starts and delays, Pirates of the Caribbean: Dead Men Tell No Tales finally began filming in Australia yesterday. And that’s not a moment too soon for the franchise’s star, Johnny Depp, who hasn’t headlined a hit since 2011’s Pirates of the Caribbean: On Stranger Tides. So, this brings up two important questions. First, will a fifth Captain Jack Sparrow adventure resuscitate Depp in a post-Mortdecai world? Secondly, can new directors Espen Sandberg and Joachim Rønning inject new life into a series that ran out of steam two movies ago?
In the Jurassic World trailer, careful editing ensured that we only catch tiny glimpses of the Indominus Rex, the genetically modified dinosaur cooked up by scientists to increase attendance to their theme park. But if you were expecting our first really good look at this guy to come from another trailer, you were wrong. This is the year 2015. These kinds of things get revealed in toy form these days.
The massive success of the ‘Despicable Me’ films have created a monster. Monsters, actually. Well, cute, yellow, strange little monsters that countless children (and some adults) all over the world have fallen in love with. Yeah, ‘Minions’ is going to be huge and it’s all going to be thanks to those little guys. However, the presence of a major star like Sandra Bullock can’t hurt and Universal has released the first images of her supervillain character, Scarlet Overkill.
In most years, January tends to be the most boring month of the year for the box office. This is where Hollywood typically sends the movies in which it has the least faith. This is the dumping ground, the place where movies go to die so the studios can concentrate on their Oscar campaigns. However, thanks to ‘American Sniper,’ this January has bucked every trend. It may technically be a 2014 release, but Clint Eastwood’s war film has made the first chunk of 2015 interesting, shattering expectations and threatening to become the highest grossing film of last year in only a few weeks.
With the Super Bowl arriving this weekend, every corporation in the world is fighting for your attention, spending ludicrous amounts of cash on tiny advertisements for things that most people already like. The same goes for movies and the biggest sporting event in the United States is no stranger to premiering new trailers and TV spots for massively anticipated films. So, without further ado, let’s all take a moment to watch the new ad for ‘Minions’.
A lot of people are going to act like they didn’t see the enormous success of ‘American Sniper’ coming, but the signs were all there. On top of the promising limited release numbers, there was the awards buzz. On top of that, there were the names of director Clint Eastwood and star Bradley Cooper. On top of that, the subject matter of the film is inherently attractive to the same category of moviegoer that makes Christian-themed films into massive hits. ‘American Sniper’ had one doozy of a weekend, but it’s not that surprising.
Yep, it’s that time of the year again. The 2015 Oscar nominations are here and it’s time for everyone to get outraged and cynical over which movies get the opportunity to take home statuettes of naked golden dudes. Sure, we always tell ourselves that the Academy Awards don’t really matter and that a film’s legacy will live or die for reasons beyond trophies, but we always end up getting angry about these things anyway. However, this year’s biggest snubs seems more egregious than usual and require slightly more yelling and stamping of feet.
It’s become fashionable in recent years to hate the Golden Raspberry Awards (AKA, the Razzies) and for good reason. The inherently negative awards claim to celebrate the worst films of the year, but they frequently nominate or “honor” ambitious misfires or boring studio junk over the real worst films of the year. To be fair, the Razzies are and have always been a big silly joke, but they’re a joke that leaves a bad taste in the mouth. And yet, it’s really hard to look at this year’s nominees and disagree. With a handful of minor exceptions, this looks like a year where the Razzies actually, well, kinda’ got it right.
After the jam-packed month of December, with its huge family-friendly blockbusters and awards season Oscar bait, we have arrived in the month of January. Formerly a dumping ground for mediocre films, the month has taken on a new identity in the past few years as a testing ground for unique genre films (think ‘Cloverfield’) and a solid place to release a horror movie, which seems to do quite well right around New Year’s for whatever reason. This year, we have ‘The Woman in Black 2: Angel of Death,’ which had a fairly solid opening. Not solid enough to topple the Christmas Week champions, but no one is complaining too much.
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