The early estimates for the opening weekend gross of Furious 7 are all over the place and we probably won’t have a definitive number until tomorrow, when the dust finally settles and everyone gets a chance to breathe. However, this one thing we know for sure: the seventh film in the Fast and Furious series didn’t just shatter in-franchise records, it shattered records for any April release.
Vin Diesel, he of the bulging biceps, shiny scalp and low vocal register, has been making the press rounds for Furious 7 over the past few weeks. Considering just how crazy his new movie is, he sure has a lot to talk about. But even the unlimited number of potential conversation topics to mined from the insanity of the seventh film in the Fast and Furious saga couldn’t stop him from teasing the eighth film in the franchise, which may be set in New York City.
In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
Every single fan film to ever surface on the internet has to answer one question: “Why?” Why would a creator spend so much time and energy playing in someone else’s sandbox? Why didn’t they create something original? Why should we watch a fan film when movies is and TV shows made by seasoned professionals exist? That brings us to Star Wars: TIE Fighter, an animated short that’s so impressively made that even those who roll their eyes at fan films will have to at least acknowledge the skill that went into crafting it.
The Late Late Show With James Corden made its grand debut last night, with seemingly every celebrity in existence popping up to say hello. But for his first official guest, Corden snagged everyone’s favorite actor: the one and only Tom Hanks. More importantly, he got Tom Hanks to get really silly and there are few things better than Hanks throwing caution to the wind and embracing his inner comedian. In this case, he got the two-time Oscar winner to re-enact all of his movies in less than eight minutes.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
With Taken, Liam Neeson became an unlikely action star, with his quiet, solemn masculinity lending gravitas to even the silliest dialogue and story beats. But rather than use the success of that instantly meme-able film as an excuse to pursue more period dramas and British weepies, Neeson embraced his newfound action hero identity. Now, after seven years of snapping necks and gunning people down across several continents, it looks like he’s ready to retire from the action hero game for good.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
When it was revealed that director Paul Feig was going to reboot Ghostbusters with an all-female cast, the general assumption was that Ghostbusters 3 was dead and buried. Gone forever. Kaput. Never to be mentioned again. But, Dan Aykroyd never got that memo. Aykroyd, who co-wrote and starred in the original films, has spent years talking up Ghostbusters 3 and he’s not going to let silly little things like an actual, official, studio-sanctioned remake with a cast and release date get in the way.
After years of false starts and delays, Pirates of the Caribbean: Dead Men Tell No Tales finally began filming in Australia yesterday. And that’s not a moment too soon for the franchise’s star, Johnny Depp, who hasn’t headlined a hit since 2011’s Pirates of the Caribbean: On Stranger Tides. So, this brings up two important questions. First, will a fifth Captain Jack Sparrow adventure resuscitate Depp in a post-Mortdecai world? Secondly, can new directors Espen Sandberg and Joachim Rønning inject new life into a series that ran out of steam two movies ago?
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