So Sony and director Paul Feig have found their new Ghostbusters: Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. This whole idea of an all-female ‘Ghostbusters’ reboot came together after the passing of original series star and co-writer Harold Ramis, when director Ivan Reitman relinquished the franchise’s director’s chair and everyone involved finally gave up on trying to convince stubborn (and probably very wise) Bill Murray to make a second sequel to the original film.
For a while, the party line on the possibility of an ‘Iron Man 4’ was that it was not going to happen. And, at least technically, that’s still true—because instead Robert Downey Jr. is co-starring ‘Captain America: Civil War,’ where his Tony Stark and Chris Evans’ Steve Rogers will get into an epic superhero tussle.
It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
I wonder if Chris Kyle was a Clint Eastwood fan. ‘American Sniper’’s marketing materials describe Kyle as “the most lethal sniper in U.S. history,” but before his military career, Kyle was a cowboy. He wore a hat and boots, and even carried a six-shooter. Eventually, he gave up the cowboy life and decided to serve his country. He was a gifted marksman and trained to be a Navy SEAL. But even as a soldier, Kyle never lost that cowboy swagger—or that sense that someone has to venture out into the frontier and protect the American way of life. That’s what Kyle learned from his father—who raised him to be a “sheepdog,” a watchful protector in a world of sheep and wolves—and from watching violent Westerns like the ones that made Eastwood a major Hollywood star.
Okay, so there was a fair amount of disappointment around the 2015 Academy Award nominations. Everything was not awesome for ‘The Lego Movie,’ robbed of a Best Animated Movie nod, and David Oyelowo’s dreams of a Best Actor nomination vanished when Steve Carell and Bradley Cooper’s names were mentioned instead. ‘Force Majeure’ got snubbed for a Best Foreign Language Film nomination and ‘Selma’’s Ava Duvernay was robbed in the Best Director Category. I just keep looking at the list of nominations and playing “Sad Trombone” over and over again. It’s basically the official theme song of the 2015 Academy Awards.
Dig this, blockheads: The ‘Peanuts’ gang, originally created by cartoonist Charles Schulz, have appeared in so many incarnations in their 65-year history. They’ve been a comic strip, a series of much-beloved television specials, a Broadway musical, greeting card staples, and even the successful pitchmen for life insurance. Now, for the first time, they’re becoming a 3D feature film, with this year’s ‘The Peanuts Movie.’
“Nothing is over!” These are the words of Col. John J Rambo, the hero of ‘First Blood’ (better known as ‘Rambo’) and then ‘Rambo: First Blood Part II’ and then ‘Rambo III’ (the only one people call by its actual title and then ‘Rambo’ (better known as ‘Old Rambo’). After what basically amounts to a movie-long chase, ‘First Blood’ concludes with a heartfelt speech from star Sylvester Stallone, explaining how nothing (meaning the Vietnam War) is over for him; that his mind is too scarred from his brutal deeds and by the cruel treatment he’s received on the homefront. It’s a powerful (if occasionally incomprehensible) scene.
Trailers are a huge part of the fabric of movies. They play before every film shown in theaters, and on every movie website around the world. They’re commercials, obviously, but they’re also more than that; miniature works of art that utilize the core elements of cinema—image, sound, music, action, editing—at their most pure and refined. And today at ScreenCrush we’re celebrating movie trailers by saluting the best sneak previews of 2014.
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